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賽車 02, Vehicle Inspection in Grand Prix

黃錫鈞攝。Photo by Wong Sek Kuan.<br>尺寸Size : 110x73.86cm

賽車 01, Vehicle Inspection in Grand Prix

黃錫鈞攝。Photo by Wong Sek Kuan.<br>尺寸Size : 110x73.86cm

終而復始

終而復始

終而復始

終而復始

終而復始

終而復始

終而復始

終而復始

終而復始

終而復始

搜出手槍, A handgun was searched, 1981

陳永漢攝。Photo by Chan WengHon.<br>《 越南難⺠民在澳》系列，反映當時越南船⺠在澳⾨的境況，包括生存條件，其衛⽣、飲⻝環境、⽣活狀態和臨時聚居地的情形，以及記載著當時社會流動⼈⼝所延伸出的另類景象，同時亦記錄了澳門曾為難民收容區之一的歷史片刻。The series of Vietnamese Boat People in Macao, reflecting the living conditions and the temporary settlements of Vietnamese refugees. The exhibition shows the alternative landscape in form of the mobility of Vietnamese Boat People at that time, as well as the record of the historical moment that Macao was once the “port of first asylum”.

等候安排上岸的難民, Refugees waiting to be arranged on land,1981

陳永漢攝。Photo by Can WengHon.<br>《 越南難⺠民在澳》系列，反映當時越南船⺠在澳⾨的境況，包括生存條件，其衛⽣、飲⻝環境、⽣活狀態和臨時聚居地的情形，以及記載著當時社會流動⼈⼝所延伸出的另類景象，同時亦記錄了澳門曾為難民收容區之一的歷史片刻。The series of Vietnamese Boat People in Macao, reflecting the living conditions and the temporary settlements of Vietnamese refugees. The exhibition shows the alternative landscape in form of the mobility of Vietnamese Boat People at that time, as well as the record of the historical moment that Macao was once the “port of first asylum”.

被安排入住難民營,To be arranged to live in a refugee camp, 1981

陳永漢攝。Photo by Chan WengHon.<br>《 越南難⺠民在澳》系列，反映當時越南船⺠在澳⾨的境況，包括生存條件，其衛⽣、飲⻝環境、⽣活狀態和臨時聚居地的情形，以及記載著當時社會流動⼈⼝所延伸出的另類景象，同時亦記錄了澳門曾為難民收容區之一的歷史片刻。The series of Vietnamese Boat People in Macao, reflecting the living conditions and the temporary settlements of Vietnamese refugees. The exhibition shows the alternative landscape in form of the mobility of Vietnamese Boat People at that time, as well as the record of the historical moment that Macao was once the “port of first asylum”.

SOS難民船, SOS refugee boat, 1981

陳永漢攝。Photo by Chan WengHon.<br>《 越南難⺠民在澳》系列，反映當時越南船⺠在澳⾨的境況，包括生存條件，其衛⽣、飲⻝環境、⽣活狀態和臨時聚居地的情形，以及記載著當時社會流動⼈⼝所延伸出的另類景象，同時亦記錄了澳門曾為難民收容區之一的歷史片刻。The series of Vietnamese Boat People in Macao, reflecting the living conditions and the temporary settlements of Vietnamese refugees. The exhibition shows the alternative landscape in form of the mobility of Vietnamese Boat People at that time, as well as the record of the historical moment that Macao was once the “port of first asylum”.

用以抵澳的小船變作居所,The boat that reached Macao became a home, 1981

陳永漢攝。Photo by Chan WengHon.<br>《 越南難⺠民在澳》系列，反映當時越南船⺠在澳⾨的境況，包括生存條件，其衛⽣、飲⻝環境、⽣活狀態和臨時聚居地的情形，以及記載著當時社會流動⼈⼝所延伸出的另類景象，同時亦記錄了澳門曾為難民收容區之一的歷史片刻。The series of Vietnamese Boat People in Macao, reflecting the living conditions and the temporary settlements of Vietnamese refugees. The exhibition shows the alternative landscape in form of the mobility of Vietnamese Boat People at that time, as well as the record of the historical moment that Macao was once the “port of first asylum”.

氹仔紀念碑花園, ardim do Monumento in Taipa, 1981

陳永漢攝。Photo by Chan WengHon.<br>《 越南難⺠民在澳》系列，反映當時越南船⺠在澳⾨的境況，包括生存條件，其衛⽣、飲⻝環境、⽣活狀態和臨時聚居地的情形，以及記載著當時社會流動⼈⼝所延伸出的另類景象，同時亦記錄了澳門曾為難民收容區之一的歷史片刻。The series of Vietnamese Boat People in Macao, reflecting the living conditions and the temporary settlements of Vietnamese refugees. The exhibition shows the alternative landscape in form of the mobility of Vietnamese Boat People at that time, as well as the record of the historical moment that Macao was once the “port of first asylum”.

分批安排入住難民營, Arranged to stay in refugee , 1981

陳永漢攝。Photo by Chan WengHon.<br>《 越南難⺠民在澳》系列，反映當時越南船⺠在澳⾨的境況，包括生存條件，其衛⽣、飲⻝環境、⽣活狀態和臨時聚居地的情形，以及記載著當時社會流動⼈⼝所延伸出的另類景象，同時亦記錄了澳門曾為難民收容區之一的歷史片刻。The series of Vietnamese Boat People in Macao, reflecting the living conditions and the temporary settlements of Vietnamese refugees. The exhibition shows the alternative landscape in form of the mobility of Vietnamese Boat People at that time, as well as the record of the historical moment that Macao was once the “port of first asylum”.

等候領取清水及食物, Waiting for water and food, 1981

陳永漢攝。Photo by Chan WengHon.<br>《 越南難⺠民在澳》系列，反映當時越南船⺠在澳⾨的境況，包括生存條件，其衛⽣、飲⻝環境、⽣活狀態和臨時聚居地的情形，以及記載著當時社會流動⼈⼝所延伸出的另類景象，同時亦記錄了澳門曾為難民收容區之一的歷史片刻。The series of Vietnamese Boat People in Macao, reflecting the living conditions and the temporary settlements of Vietnamese refugees. The exhibition shows the alternative landscape in form of the mobility of Vietnamese Boat People at that time, as well as the record of the historical moment that Macao was once the “port of first asylum”.